M. Louisa Locke wrote a post last August that describes, in great and careful detail, the advantages that those of us who are self-published have attained in this rapidly changing industry. Here’s one of my favorite quotes from her piece, which is well worth your time:
“Once an author has been exposed to the liberating belief that all of their work can get in print, and all the work that is good, will get to be read, they will not go back to telling themselves that the gatekeepers were saving them from the awful mistake of publishing a bad book, and that the favorite quirky cross genre manuscript they wrote really is better off never being read by anyone.”
And one of the things that I would add to Ms. Locke’s admirable list is the inspiration that comes with knowing that your writing is finding an outlet — giving impetus to the very stream of creativity that begets more stories — unfettered productivity being great for writers and readers alike!
This was a provocative book with a certain compelling quality. It took me a while to get into it… and then I was captured. The length was both off-putting and effective — I lived with the story for so long that it attained an unusual power over me. I just finished it this morning, so it’s hard to judge at this point, but I think it will stay with me for a while.
I was surprised by the odd simplicity of the language. I couldn’t tell if this was a result of the translation or the way the author originally used words. In fact, I think that the second translator was better; suddenly the text became more lyrical and evocative during Book III.
Many mysteries were left unexplained, and I was disappointed about that. I realize that this is a kind of dream-narrative, but I think that if you’re going to dangle certain unresolved plot lines, you need to wrap them up — or at least refer to them — when you finish.
Though I read over and over that we self publishers should be PATIENT… I am not by nature a very patient person! So when I had a fantastic result in late December with my best-selling political thriller RUNNING after using a single free day on Amazon’s KDP Select program (8,000 free downloads followed by 1,500+ sales in the next 10 days) I was elated. It lasted for quite a while, but by the end of January sales had settled down to about 5-10 copies a day. So I decided to do it again.
The exciting news is that I saw a torrent of downloads – 9,000 over the two days. The day after, I sold only 5 copies. Big letdown! Yesterday I sold 7, with 2 borrows. Oh well, that’s a little better. But this morning I wake up and RUNNING had sold 30 by 11:00 a.m. A significant improvement. I’ll take those numbers, I figured, particularly if they continue throughout the day. And a Tuesday morning doesn’t typically mean a huge rush to buy ebooks.
As several people have pointed out, the endgame in all this is visibility. Building your brand, and your fan base. Getting yourself higher up on the charts. Getting more reviews. All of this works toward a long-term career as a writer. A writer who writes books worth buying.
I should mention that my price point is higher than most self-publishers. My career plan includes being able to live on my income as a writer, so it’s important to me to price my novels up there with Patricia Cornwell, James Patterson, and others who are published traditionally.
So what do I need to do now? GET MORE GOOD NOVELS WRITTEN. I met with my critique partner today to fine-tune the synopsis (before starting to write) of my next thriller, which starts with the abduction of the Secretary of State in some war-torn former Soviet satellite. Action, suspense, romance, sex, bombs, helicopters, international diplomacy, and a strong woman protagonist. I can’t wait!
Oh, and P.S. I sold 66 copies of RUNNING today. A fabulous result.
Do you have yours yet?