indie

Third Part of Karma Series – DEEP JUSTICE – out now!

Deep Justice - EBook Cover Art

I’m thrilled to announce that Deep Justice, #3 in the Karma series, is available as of last night.  And it’s flying up the charts already, joining my first Silo story The Sky Used to be Blue, and my second, Cleaning Up.  Be prepared… this one has a lot of action.  We see a side of Karma never encountered before.

It is an amazing time to be a writer!  If anyone reading this is thinking about writing, DO IT.  It’s never been easier and more accessible to the average (poor) person.  I’ll be adding another blog post about self-publishing soon.  Watch this space.

And as to the Karma series… there are two more parts to come!  If you’d like to be notified the minute they are released (or even before) please give me your email address here, and I’ll let you know.  No worries that I will abuse your trust.

Thanks to all who are following this series.  I continue to be humbled by the enthusiastic response to my stories, and always grateful to Hugh Howey and his WOOL books.

Self-Publishing? Step on the GAASS!

If you want to write, you should write the stories that are in your heart. Follow your bliss, tell your truths… yadda yadda. But if you want to make a living at writing, there are some techniques that will increase your chances of making an early profit, thus putting you in a position to follow your bliss and write the stories that are in your heart.

Herewith, Patrice’s advice on how to make money–as of the indie ebook world in the spring of 2013:

The writer, getting ready to step on the GAASS.

The writer, getting ready to step on the GAASS.

Write GENRE
Write AS MUCH AS POSSIBLE
Write AS FAST AS POSSIBLE
Write SHORT
Write SERIES

Personally, I have many different interests, and I’m currently concocting ebooks in lots of different genres, including science fiction/fantasy, political thrillers, chick lit, cozy mysteries, and funky short stories. So I don’t mind concentrating on what works best, i.e., gets me more readers, first.

GENRE – Romance, chick lit, sci-fi, fantasy, mysteries, thrillers, are the easiest sells. I think that’s the current order of popularity. Not that you can’t write the great American literary novel. But perhaps try something hotter first.

AS MUCH AS POSSIBLE – This means that if you have a book out that hits big, and you have nothing to sell other than that, you waste a golden opportunity to convert readers to fans. They read the one, think it’s great, and have nothing else to buy… and nothing else to hook them in to you as an author. When you get the next book out a year later, they have moved on to other authors, and have bought their entire oeuvres. That could have been you! (Trad publishers, take note–one book every year or two is not making it any more for readers.) Of course you have to start with your first book. Just keep writing. Don’t wait to see if self-publishing is for you. It won’t be for you if you only write one book. I made that mistake. I had a phenomenal selling streak with my political thriller RUNNING in the hot days around Christmas of 2011 (eons ago in self-pub time). For about a minute I made $6,000 a week. Which slowly simmered down into the summer of 2012, when I made FAR less. I still don’t have a book to follow that one up in the political thriller genre. Which brings me to my next point:

AS FAST AS POSSIBLE – You have a busy life, I know. A day job, a spouse, a house, kids, the dog, friends, TV shows (you’re still watching TV?? You’re a writer. Writing is the new TV. Get away from the screen… unless you’re typing on it.) But write anyway. You may have heard of Hugh Howey, of WOOL fame. He wrote during his lunch breaks while working as a bookseller at Barnes & Noble. He scribbled in longhand part of one of his books while sitting in the audience at a book awards presentation… while they were up there congratulating last year’s bestsellers, he was at a table writing the next one. P.S. He made more than a million dollars last year on self-published ebooks alone. And then sold print rights for mid-six figures, and sold the book in 24 countries, and sold film rights and comic book rights and… yeah, don’t get jealous, just write your own book. Books!

SHORT – I have my newest short story out now, 8,500 words, and it’s selling for 99¢. That one short story is going to make me $700 this month. That’s at the 35% royalty rate. Multiply that by several shorts, and you get… more money. Short is fast, short is easy, and readers LOVE short. They can read it on their lunch hour. It’s ideal for iPhones and iPads. Now that the price point for indie ebooks is rising to $2.99 or $4.99, not as many full-length novels are selling for 99¢. Plus, even full-length is dropping in length from 80,000- 100,000 being typical for a print novel (and longer for fantasy and sci-fi titles) to 50,000 – 80,000 being considered a reasonable length. Joe Konrath calls anything over 30,000 a novel now, and anything over 15,000 a short novel. Barry Eisler sells 35,000 words as a novel…. You can now write THREE books with the words that it used to take to make ONE. Faster, shorter, more money for you. They still have to have a satisfying story arc, a beginning, middle and end. Just make the bits move faster.

SERIES – This is pretty obvious from all the millions of Book 1, Book 2, Book 37 titles you see out there. One set of co-writers is publishing “Around the World in 80 Men,” and they’re up to Books 21-25 (Puerto Rico, Nevada, Tahiti, Spain, Holland, FYI). They sell each ebook for 99¢ and collections of of five for $3.99. They’re going for, obviously, 80 of these. This sweet young waitress becomes a high-priced international hooker. (I suspect there is sex involved.) They’ve simplified the process for themselves–no not the sex process!–of preparing the books by using the same cover in different colors. I think these writers are going to make a mint. You don’t need that many fans if they all buy 80 of your books, or 16 compilations of 5 books each. And these writers are putting them out there FAST! I just read the first chapter of the first one, which is currently free, which is another wise move when you have a lot of books out… we could add FREE to the GAASS acronym, but then it would be GAASSF, and what does that mean? The first chapter showed this to be a fun, light read. About a sweet young thing who decides to travel the world and have sex for money. How much you want to bet she pulls a Pretty Woman and falls in love with Mr. #80?

So there you have it. The latest best advice on how to maximize your earning potential as an indie ebook writer. All so that you can make a few bucks and then write that esoteric masterpiece on ancient phlebotomy techniques among the Incans. Which, who knows, could turn out to be your biggest seller!

Because I believe in giving back, I am going to start critiquing (for free) your work. I’m a good writer–I’ve been writing novels for 20 years. I have an English degree (and a law degree and a grad degree in vocal performance, but I’m not sure they will help you much) and I’ve worked as a freelance writer as well as an editor. I’m the CEO of my own publishing company, and my ebooks are on the charts.

After each post I’ll pick one commenter and critique up to 10 pages or 2,500 words.

I don’t have many commenters yet, so your odds are excellent! A comment gets you one chance, a tweet of this post another. Linking to it on your site or FB page gets you another. Subscribing, friending me on FB or following me on Twitter gets you another. Increase your odds by doing as much as you can. And if you become a regular around here I’ll probably just pick you eventually anyway. If I read your pages I plan to be honest, so be ready for that.

So let me know in the comments what you are doing to promote this worthy, pithy, and free advice for fellow authors, and I will put your name in the hat for a personal critique by ME.

Thanks for reading!

Now go out there, fellow writer, and step on the GAASS. Or, GAASSF. Or maybe GAFASS… which sounds really bad.

New Interview with Hugh Howey, author of WOOL

Hugh-Howey1

I’m quite thrilled to have as my guest today author Hugh Howey, whose WOOL books are as popular as chits in a Silo and are making international headlines… including in the UK, where WOOL was officially released in hardcover recently. If you haven’t read them, go grab the WOOL Omnibus, First Shift, Second Shift, and Third Shift (or the Shift Omnibus), and get ready for audio books, comic books, and a possible movie! Here’s Hugh himself to answer my questions. I’m in italics; he’s not.

WOOL cover

Hi Hugh! Thank you SO much for being willing to talk to me about the phenomenon that is WOOL. I’m going to try to concentrate on questions that I haven’t seen answered elsewhere… I’m not going to ask you what your writing desk looks like, or how many words you write a day. But feel free to tell me if you want to!

You have been very open with fans from the beginning and have a rare connection to readers. How do you manage to find the time? Do you enjoy blogging and making dance videos, or is it just a cynical ploy to sell more books… no, seriously, are you a gregarious kind of guy?

Yeah, this is just who I am. When I’m out in public, I make an effort to talk to strangers. And I’ve never really grown up. Besides, writing is such a solitary endeavor. I get antsy for social interactions. So it isn’t really about finding the time to connect with readers; it’s something I enjoy. Long before I thought I could make a living as a writer, I was driving two hours to sit and visit with middle school classrooms or conduct writing workshops. It’s not about making money. It’s about feeling happy and fulfilled.

The Wool universe is complex for a reader to follow, the way you move around in time and spotlight different characters in each segment. Is this tough for you to figure out even as you write it? Do you have to go back and reread the old books to remind yourself what is in each book?

I have notes I can refer to, but I rarely do. Each book feels self-contained to me in a way. I know where the beginnings and ends are, so all I have to do is shade in the middle bits. I have thought about putting together a timeline for readers so they can see how the stories overlap. Maybe when I’m done with the writing. 🙂

Do you ever regret something you did in an old book and wish you could change it? Will you change some of those books, since you can do so easily with ebooks?

I don’t have any regrets on plot and structure. If I could go back and change one thing, it might be to give the first Wool a subtitle. At the time, I thought it would be a single work. It creates some confusion when there’s a novelette called “Wool” and a full novel from Random House and Simon and Schuster called “Wool.” But there’s no way I could have predicted the success of the series.

Are the indie published ebooks going to be very different from the print books you’re now doing through S&S? Do you think they’ll try to make editorial changes? How much control do you have over your material?

I’m going to update the ebooks to reflect the changes made to the physical books. Most of the changes are very minor. The only big one is the inclusion of a new chapter to give some backstory on Juliette. I love how seamless this chapter slotted into the story. If I told readers who have only seen the print version that it was an addition, I think they’d be shocked.

Two of my favorite novels have origins similar to Wool. Ender’s Game and Fahrenheit 451 both began as short stories that grew due to demand into full-length novels. Ender’s Game was later re-released in an “Author’s Definitive Edition” years after winning the Hugo and Nebula. This process goes back to Dickens, who expanded his serialized works before combining them into a novel. Heck, it goes back to the books that came together to form the Bible, which has been edited and changed over the years. If it was good enough for the greatest works of literature, it should be fine for my scribblings.

Why are you allowing fans to publish (and charge for) books based on the WOOL series? Is someone at some point going to yell at you for doing this?

The world of Wool is ripe for exploration. I won’t be able to scratch the surface. When readers got in touch to ask about fan fiction, I not only gave my blessing, I insisted that they charge for the work. Even if it’s just a dollar. I know what it’s like to struggle as an artist. If I’m now in a position to give someone else a boost, I’m going to. And yeah, I’m sure my lawyer is going to have a fit when he finds out. But I don’t care. I’m a fan of open-source, someone who hates DRM, and someone who thinks we shouldn’t go around suing one another. I’m making enough money. It warms my heart to see Ben Adams selling Wool prints and keeping 100% of the profit. The same goes for fan fiction.

Do you have ideas for a new universe after you finish the WOOL series? Will you stick with post-apocalyptic dystopian worlds, or are you going to switch to hot teen romances?

I started my first erotica story a few months ago! I also have a vampire novel I’m dying to write. Plus, another Molly Fyde book to wrap up. Then there’s another dystopian world I want to explore, and a fantasy novel I’ve had in mind for ages. I’ll keep bouncing around and writing whatever excites me. I know that goes against certain rules and formulas in the publishing world, but my primary motivation is to enjoy what I’m doing. I never thought I’d make a living at this. I’m fully prepared to go back to a day job while I write for fun.

Do you worry that you might never have such a spectacular success again?

I don’t worry about it. I just assume I won’t. Nothing about my success feels natural or normal to me. I marvel at it. I don’t have the feeling of: “Finally! Everything I’ve always wanted and fully deserved is now at my doorstep! What took so long? Give me more!” Instead, I’m feeling: “What in the world is going on? Is the universe going to get back to normal? Soon?” My focus is to enjoy it while I can.

Can you believe it… are you pinching yourself with amazement every day?

Every hour of every day. I wake up amazed and go to bed amazed.

You made a rare deal to have your books published traditionally in print while holding onto all of the electronic rights. Will this become more common? Where do you see the indie/traditional book scene going?

I hope it becomes more common. Bella Andre had a similar deal from a smaller publisher. Colleen Hoover just followed with a similar deal from Simon and Schuster. I don’t think I deserve any credit for breaking through any boundaries. It was just going to happen. It had to be someone, and I just happened to be publishing and gaining attention at the right time. The key for all of us and for everyone who comes after was saying no to contracts that simply weren’t fair. The reason we were able to do that was because we were already making money on our digital rights. So we owe a lot to the indie authors who came before us, to the e-reader revolution, to readers who embraced this technology. It’s been a gradual change with a lot of people involved. I’m just one person.

Congratulations on your success, Hugh, which continues to grow. You deserve it.

Thanks for taking the time to answer. And don’t let me keep you from writing! I’m now holding my breath for the next book in the series!

Thanks, Patrice! I’ll get back to work on DUST. Keep an eye out for March 12th. I think that’s when WOOL hits bookstores here in the U.S.

Patrice here: Having been swept up into the world of WOOL, I couldn’t help coming up with ideas of my own. I ran the synopsis of a short story past Hugh, who gave me his blessing. “My Name is HELEN” should be out at the end of February.

For a fun, quirky take on another version of the future, try my short Till Death Do Us Part.

Can You Make Money Self-Publishing?

Why yes! It takes hard work and it doesn’t happen instantly, but you sure can make significant money by self-publishing. And often far more than you can make after getting a deal with a traditional publisher.

Here’s the list, with numbers, updated from the last time that I identified authors selling over 50,000 self-published titles. This comes from a blog titled “Self-Publishing Success Stories,” and all credit goes to that blogger… who mysteriously has no name… and who did the original work of compiling it via a thread over at the Kindleboards.

The asterisk indicates that the writer has also been published traditionally. There are no doubt even more names that should be on this list. If you know of one, please drop me a line and I’ll add it.

All hail these successful self-published authors!

1. Rachel Abbott
2. Susan Alison – “over 50k at the end of last month” (Feb 2012)
3. Dani Amore
4.*Bella Andre – more than 400,000 books sold (Feb 2012)
5. Melody Anne – over 150,000 (Feb 2012)
6. Daniel Arenson – The “Song of Dragons” series sold its 50,000th copy on March 2, 2012
7. Jake Barton- 83,712 books sold (March 2012)
8. Robert Bidinotto – 58,260 (Feb 2012)
9. *J Carson Black – more than 300,000 books sold (November 2011)
10.*Cheryl Bolen – 145,000 sold (March 2012)
11. Kathleen Brooks – 50,015 paid books with most coming from the last 2 months (March 2012)
12. Catherine Bybee – nearly 200,000 of the novel “Wife By Wednesday”
13. Sarra Cannon – 62,400 books as of March 17, 2012
14. Karen Cantwell – 86K as of March 2012
15. Ruth Cardello
16. Darcie Chan – more than 400,000 ebooks sold (Nov 2011)
17. Ann Charles
18. Mel Comley
19. Shelly Crane
20. Martin Crosbie – 66,716 books sold (March 2012)
21. *Blake Crouch – total unknown (“5,000 sales a month”)
22. Chris Culver – over 550,000 (Dec 2011)
23. David Dalglish – more than 175,000 (Feb 2012)
24. Susan Denning – “To date, I’ve sold over almost 60,000 Kindle copies”
25. Saffina Desforges – Sugar & Spice sold over 100,000 ebooks (Sept 2011)
26. Mainak Dhar – 85,600 (Jan 2012)
27. Sandra Edwards- about 90K (since July 2010) as of March 2012
28. *Ellen Fisher – over 100,000 as of Feb 2012
29. Penelope Fletcher – over 50,000 as of Feb 2012
30. Tina Folsom – over 300,000 books sold (October 2011)
31. *Marie Force – more than 200,000 sold in the last year (March 2012)
32. Melissa Foster – more than 150,000 in the last 9 months (Feb 2012)
33. *Barbara Freethy – 1.3 million self-published ebooks sold (Dec 2011)
34. Eliza Gayle – roughly 65,000 books in 2011
35. Jenny Gardiner – over 80,000 ebooks (Dec 2011)
36. Debora Geary – total unknown (1 of the top 10 Kindle Select authors for Jan 2012)
37. Abbi Glines
38. *Lee Goldberg
39. Joel Goldman
40. Allan Guthrie – over 63,000 as of March 2012
41. *Gemma Halliday – over 1 million self-published ebooks sold (March 2012)
42. Liliana Hart – over 80,000 as of Feb 2012
43. Michael Hicks – close to 100,000 as of March 2012
44. Amanda Hocking – 1,500,000 ebooks sold (December 2011)
45. Sibel Hodge – “in the last 6 months alone I’ve sold over 40,000 ebooks”
46. Debra Holland – over 50,000 books sold (March 2012)
47. Sheila Horgan – well over 80,000 as of Feb 2012
48. Hugh Howey- more than 100,000 sold (March 2012)
49. Delle Jacobs – total unknown
50. Nancy C. Johnson
51. Ty Johnston – over 60,000
52. Andrew E. Kaufman – 53,984 sold in 31 days (during the month of March 2012)
53. Selena Kitt – “With half a million ebooks sold in 2011 alone”
54. *J.A. Konrath – more than 500,000 ebooks sold (November 2011)
55. Eve Langlais – over 56,000
56. B.V. Larson – over 250,000 books sold (Dec 2011)
57. *Stephen Leather – “selling close to half a million eBooks over the past 12 months” (Nov 2011)
58. Jason Letts – almost 50,000 as of Feb 2012
59. Victorine Lieske – more than 100,000 books sold (May 2011)
60. John Locke- more than 1,100,000 eBooks sold in five months
61. Terri Giuliano Long – more than 80,000 ebooks sold (Jan 2012)
62. *Carol Davis Luce – 100,000 sold (January 2012)
63. *CJ Lyons – almost 500,000 ebooks sold (Dec 2011)
64. H.P. Mallory – more than 200,000 ebooks sold (July 2011)
65. C.S. Marks
66. M. R. Mathias – over 50,000 sold (June 2011)
67. *KC May
68. *Bob Mayer – 347 sold in Jan, 2011 to over 400,000 total sold by year’s end (Dec 2011)
69. David McAfee – 54-56K range as of March 2012
70. Stephanie McAfee – “the e-book sold 145,325 copies from January to August 2011”
71. Carolyn McCray – over 50K and on track to sell over 13,000 ebooks for the month of March 2012
72. Karen McQuestion – more than 70,000 sold (***September 2010***)
73. Courtney Milan
74. Addison Moore
75. David Morrell
76. Rick Murcer – in only four and a half months, 135,000 ebooks sold (as of August 2011)
77. Scott Nicholson
78. Anne Marie Novark – more than 70,000 books sold (Feb 2012)
79. Shayne Parkinson – over 50,000 as of Feb 2012
80. Aaron Patterson – total unknown
81. Aaron Pogue
82. Brian S. Pratt
83. *Michael Prescott – more than 800,000 self-published ebooks sold (Dec 2011)
84. Rose Pressey – over 54,000 since April 2011
85. T.R. Ragan – 239,592 books sold (March 2012)
86. J.R. Rain – more than 400,000 books sold (Sept 2011)
87. Terri Reid – more than 60,000 ebooks sold (August 2011)
88. Lexi Revellian – over 54,000 (March 2012)
89. Shadonna Richards – 51,790 ebooks as of March 2012
90. Imogen Rose
91. *Kristine Kathryn Rusch
92. Nick Russell – over 104,000 of Big Lake (March 2012)
93. Jonas Saul – over 50,000 ebooks sold
94. L.J. Sellers – total unknown
95. Amber Scott – total unknown
96. *Michele Scott (AK Alexander) – more than 100,000 books sold in two months
97. Tori Scott – 84,772 as of midnight 3/15/2012
98. Kathleen Shoop – over 50,000 books sold since May 2011 (as of Jan 2012)
99. Christopher Smith
100. *Dean Wesley Smith
101. Katie Stephens
102. Andy Straka – over 50,000 in the past 10 months
103. Michael J Sullivan – more than 90,000 sold before books retired and republished
104. Denise Grover Swank- “almost 60,000 books with my four books since last July (March 2012)”
105. Vicki Tyley – 100,000 (January 2012)
106. Louise Voss & Mark Edwards – 50,000 ebooks sold in the month of June (2011)
107. Heather Killough-Walden – over 500,000 books sold (Dec 2011)
108. Michael Wallace – 80,000 (Feb 2012)
109. Kerry Wilkinson – more than 250,000 books sold (Feb 2012)
110. Nicole Williams – near the 100,000 mark for her trilogy (Dec 2011)
111. Zoe Winters – more than 50,000 ebooks sold independently
112. Rachel Yu – more than 60,000 ebooks sold (Feb 2012)

That’s pretty amazing. We can figure that many of those books earned about $2 per sale (at a conservative price of $2.99 per book), so this 50K number means the authors above are looking at $100,000, at least. There would also be expenses involved in editing, cover art, formatting, etc., depending upon how much of that was paid for versus done by the author or by volunteers. Still, the profits are impressive by any measure.

Some of these authors have gone on to accept traditional deals with established publishers so that they can concentrate on the writing part. Famously, Amanda Hocking has a multi-million dollar deal for some of her books, but has also retained the right to continue self-publishing those books she prefers to.

All right, writers, are you suitably inspired?

Now, back to your keyboards!

Success By the Numbers

You know, fellow readers and writers, since my big Christmas break-out with RUNNING, I have been concentrating on money earned. And in the excitement of the sudden flurry of cash (which happened right around Christmas, but only landed in my bank account at the end of February) I got happy but anxious about HOW TO KEEP IT COMING IN at that lovely rate.

And the truth is — I can’t. I can’t control what folks like and buy and read and respond to. I can only control what I write. Trying to psych out the coolest marketing phrase or the optimal tweet will only make you crazy… or at least, it will make me crazy.

So I have vowed to concentrate more on the writing. Last week I dictated a story that I have been thinking about for a couple of years. Just a little short one, but powerful. THE TERMINAL. (That is, if I don’t change the title…)

The story came out nearly all of a piece, because it had “percolated” in my head for some time. It needs only a few small tweaks to finalize and put to bed. Or to press.

I think I’ll make this one free. I plan to post it on Wattpad, which I hear great things about. Possibly also Figment, and Redroom, and Smashwords… though the last time I tried that I had trouble jumping through their formatting hoops. In any case, I hope it will be an important story that gets out to readers and will — possibly — lead some of them to me.

And even if it never does, I will be happy to put that story out into the world, because that’s what we storytellers do. We share our words. Having a reader is what makes a story complete.

So, having said that… Drumroll, please! When I added up the sales of all of my books, I discovered these excellent numbers:

2,400 ebooks sold for real money

860 ebooks borrowed, which brings in money too

And a fabulous grand total of 40,000 ADDITIONAL ebooks downloaded!! [For free, I should add. But still!]

As to money, I am up in the baby five figures, which isn’t bad for a fledgeling business less than a year old.

I only started on the 4th of July, 2011… I became an Indie Writer on Independence Day, get it? (Someday I’ll tell you the story of that looooong weekend and how my husband and I managed to get through our first big formatting and uploading task without our marriage falling apart.)

And I am pretty jazzed about how much I have actually sold. Particularly when you consider the alternative… I could have been submitting query letters to agents for another 20 years instead!

Happy writing to you, friends.

Vlog #1 – So which advice should I listen to?

Here’s my first homemade vlog (video blog) which I made in my backyard. It looks rather humble, but at least the weather was beautiful!

Vlog #1 – Advice from Writers

Thanks for watching… I’m learning as I go!

Self-Publishing Success Stories!

Over on the Kindle boards, there is a thread where folks are putting together a list of self-published authors who have gotten past the 50,000 mark in total ebook sales.

Successful author Lexi Revellian (see her name on the list below!) went further in updating the list on her own blog. I’ve posted it here to demonstrate that it is possible to make serious money as a self-publisher.

Many of the authors on this list have sold well over 50,000 books. Quite a few of them have done it within a year. Though it’s not possible to calculate how much money an author with that many sales has made without knowing the price of each ebook, every writer who has sold this number of books has made between a low of $17,500 (if every book is priced at only 99¢, for a 35% royalty rate) to a high of $350,000 (at the highest rate that KDP allows – $9.99, with a 70% royalty rate). It’s likely most of these authors sell their ebooks for something in between those two extremes. The “going rate” for successful self-published authors seems to be around $2.99 to $4.99 per ebook.

Some of these writers, but only a small percentage, were traditionally published first, or have continued to keep one foot in the traditional “camp.” Most of them simply wrote books intending to publish all by themselves, and then got them out there and let the world know. And the world responded by reading them!

THESE SELF-PUBLISHED AUTHORS HAVE EACH SOLD MORE THAN 50,000 EBOOKS AS OF MARCH, 2012

Susan Alison
Dani Amore
Bella Andre
Melody Anne
Jake Barton
Robert Bidinotto
J Carson Black
Cheryl Bolen
Catherine Bybee
Ruth Cardello
Darcie Chan
Mel Comley
Blake Crouch
Chris Culver
David Dalglish
Carol Davis Luce
Saffina Desforges
Mainak Dhar
Mark Edwards & Louis Voss
Ellen Fischer
Penelope Fletcher
Tina Folsom
Marie Force
Barbara Freethy
Debora Geary
Lee Goldberg
Gemma Halliday
Ruth Harris
Liliana Hart
Michael Hicks
Amanda Hocking
Debra Holland
Hugh Howey
Nancy C. Johnson
Ty Johnston
Heather Killough-Walden
Selena Kitt
J.A. Konrath
Laura Landon
Eve Langlais
Stephen Leather
Victorine Lieske
John Locke
Terri Giuliano Long
CJ Lyons
H.P. Mallory
KC May
Bob Mayer
Stephanie McAfee
Courtney Milan
Rick Murcer
Scott Nicholson
Anne Marie Novark
Shayne Parkinson
Rose Pressey
Michael Prescott
T.R. Ragan
Terri Reid
Adam Rendon
Lexi Revellian
Imogen Rose
Nick Russell
Michele Scott
Tori Scott
L.J. Sellers
Michael J Sullivan
Laura Taylor
Michael Wallace
Kerry Wilkinson
Rachel Yu

I’d love it if you could let me know of anyone else who should be on this list. I’ll try to keep it up to date. And if I get really ambitious, I’ll link to each of the author’s pages so that you can go buy more of their wonderful books… but I probably should spend that time writing my next one.

Thanks to Lexi Revellian for putting this list on her blog and updating it. And here’s to the day when my name will be on the list…!

Literary Agents Advocating Self-Publishing?

Well, the world of books has somehow turned upside down! Even established literary agents now acknowledge that self-publishing is a viable, and possibly more lucrative, option for writers.

There is a surprisingly open-minded and encouraging post at Alan Rinzler’s “The Book Deal” blog. Here’s an excerpt:

What do you say to writers who are considering self-publishing?

Candice Fuhrman: In many cases I say GO FOR IT! It’s never been a better time for self- publishing; there are so many options for sell your own e-book. With most major publishers still only paying 25 percent of net for e-book sales, most writers can do better on their own. Of course they have to be marketing demons — but that’s the case no matter who publishes you. Although many agents are becoming “jacks of all trades” with self-publishing authors, we could be called something else — such as a publisher or a production person or a marketer.

Andrea Brown: Some authors we’ve worked with have also done indie self-published e-books but don’t seem to make any money with them. The market is overwhelmed with titles — many badly written or edited — and writers find it’s tough to market. We do tell writers that if their book will be difficult to sell the traditional way (or we do not think we can place it), to go ahead and self-publish — but they must do it well and plan to spend lots of time to market.

Andrea Hurst: For many authors, this is a very viable option today. Indie publishing, especially with e-books, offers a way to get your book directly in the reader’s hands. It is still important to have a high quality product and market your work. Many agents I know are diversifying what services they offer and how they will work with authors seeking nontraditional publishing options. Our agency consults with self-publishing authors through the whole process, offering professional editorial, design and evaluation services.

Bonnie Solow: Self-publishing is a viable option for many writers. There is no barrier to entry and authors can enjoy the satisfaction of maintaining full creative control with an accelerated release schedule. For authors who are entrepreneurial and who can access their readers through online marketing, speaking engagements, and so on, self-publishing can be the right route to take. In the long-term I do think agents will be more and more involved in helping clients self-publish… At this stage, however, authors who come to me are not interested in self-publishing. Instead, they want to enjoy the myriad benefits that come with being published by a major house.

Thanks to Alan for all the great information he shares with writers, and to these bold agents for giving us their perspective. Of course I had to add a comment advocating the vast superiority (and fun!) of self-publishing….

Go read the entire post on “The Book Deal” blog.

And thanks to The Passive Voice for leading me to Alan’s latest post.

The Wisdom of the Self-Published Author

M. Louisa Locke wrote a post last August that describes, in great and careful detail, the advantages that those of us who are self-published have attained in this rapidly changing industry. Here’s one of my favorite quotes from her piece, which is well worth your time:

“Once an author has been exposed to the liberating belief that all of their work can get in print, and all the work that is good, will get to be read, they will not go back to telling themselves that the gatekeepers were saving them from the awful mistake of publishing a bad book, and that the favorite quirky cross genre manuscript they wrote really is better off never being read by anyone.”

And one of the things that I would add to Ms. Locke’s admirable list is the inspiration that comes with knowing that your writing is finding an outlet — giving impetus to the very stream of creativity that begets more stories — unfettered productivity being great for writers and readers alike!

Calling All Self-Published Authors!

A very interesting survey designed to get some data on self-publishing straight from the source is described in today’s post on David Gaughran’s “Let’s Get Digital” blog. Answering the questions takes somewhere between 10 and 20 minutes, and it is, of course, anonymous.

The folks that put it together are trying to get 1,000 responses in order to make it statistically significant. So even if you’re new to this fascinating self-publishing journey, please consider participating. One of the best parts of this community of like-minded (brave, honest, thrifty, etc. — sort of like the Boy Scouts) writers is that so many are willing to reach out a helping hand.

So help us learn more about each other and how to sell books by sharing your own experiences.

Thanks!

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Works in Progress

“I Dream of PIA” (for The Robot Chronicles anthology, available July 25, 2014)

3149/ 3000 words. 100% done!

"Sand Song” (a novella set in Hugh Howey’s SANDbox)

8,627 / 10000 words. 87% done!

"The Terminal” (a dark futuristic short)

2383 / 2000 words. 100% done!

“ROCKS 1” (the first episode in a dystopian series)

5675 / 10000 words. 57% done!

“Salt & Pepper Mystery #1” (Book one of a cozy mystery series)

22379 / 40000 words. 56% done!

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My Books

Karma of the Silo: the Collection (Karma Omnibus)
Karma lives in the Silo, deep underground. She lives with a man whom she barely knows and with a name she doesn’t remember choosing. When visions come to her about another husband, another way of life, and another world, Karma struggles to discover what came before.

Cleaning Up: a Silo story (Karma)
Five years have passed since the airlock slammed shut on the 4,000 souls condemned to live in the Silo. Karma can remember now that there was a time before--before she was locked into this cylindrical tomb under the earth. But all she can see of the outside are dead hills and the dark clouds swirling through what remains of a toxic world.

The Sky Used to be Blue: a Silo story (Karma)
Karma lives in a Silo deep beneath the earth. She isn't sure of much else… only that the wallscreen shows an outside view that is barren and swirling with toxic clouds. Most of the other residents seem content. Except for the ones who jump to their deaths from the hundred-level spiral staircase. And the ones who are pushed.

Last Walk: a Silo story
The kids are fighting in the Silo—gangs engage in battles between the Up Top and the Down Deep, with the Mids caught in between. There are too many young people without work. They ink themselves with primitive face tats and guard their territory against incursions from below or above.

Deep Justice: a Silo story (Karma)
Karma has endured twenty-five years underneath the earth. Her path in life—a path she never bargained for—has included marriage to a man she never chose, whose powerful position forces her to hide her memories of the time before.


Rising Up: a Silo story (Karma)
After a hellish three months locked in the private inner sanctum of IT, Karma and her family emerge, bloodied and forever changed. Rick is a man who is no longer in control. Mars has become the power in the Silo.



Silo Saga: SILO SECRETS: Daniel
Daniel is sixteen now, and he can count up to one hundred. He can go all by himself up and down the two levels of the Silo between his home and his job. Daniel knows he's not as smart as some people. But his mother told him he was smart enough to help her, so it must be true. He always believes his mother. His mother is a doctor.

Running
THE NEXT PRESIDENT IS GOING TO BE A WOMAN... Catherine Young, Vice President and newly-anointed Democratic nominee, is surging in the polls. The race is on against GOP candidate Jerusha Hutchins, folksy charmer and blonde beauty, who is the darling of the far-right Liberty Party.

Till Death Do Us Part: a short story
Join Harold and Rosemary as they bring together their family and friends for a night of celebration before a long-planned trip... and see just how this journey ends. Mix a little Dorothy Parker and a little Shirley Jackson, add a twist of David Sedaris and a pinch of O.Henry, and out comes a satirical romp. "Till Death Do Us Part" is a 3,000 word short story. This is a sophisticated take on the way people fool themselves. More New Yorker magazine than Asimov.

The Terminal
To be published next week!





Looking for Lance
A pinch of Dorothy Parker and a twist of O.Henry go into the mix to make this Fitzgerald short a bracing sip of satire. There is a free sample of RUNNING, her best-selling Kindle political thriller, at the end of this story.

Jungle Moon
Another quirky short story from Patrice Fitzgerald about love and the ways people connect. When Felicia gets a special birthday request from her husband Herman, she can't believe what he's asking her to do. Will she say yes? This 3,000 word short story explores the nature of a happy marriage, compromise, and passion. A four-chapter sample of Fitzgerald's best-selling political thriller, RUNNING, is also included.

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